Archives for posts with tag: Orson Scott Card

Card’s hate has come to color my experience of his fiction — as, I think, it should. Neither fiction nor its creators exist in a vacuum; nor is the choice to consume art or support an artist morally neutral. Orson Scott Card is monstrously homophobic; he’s racist; he advocates violence and lobbies against fundamental human rights and equates criticism of those stances with his own hate speech.
Rachel Editin, Wired, 2013

“The first and greatest threat from court decisions in California and Massachusetts, giving legal recognition to “gay marriage,” is that it marks the end of democracy in America.”
Orson Scott Card, Mormon Times, 2008

‘The choice to consume art….’
I used to be under the impression that art was something which clawed at your attention and opened up your mind to new understandings of things… Now I’m told that art is nothing but yet another merchandise. Something to be chosen, paid for and consumed.

‘The end of democracy in America…’
I used to be under the impression that democracy, perfectible as it is, was the best way forward. Precisely because each and all of those concerned about the matter are allowed to speak up their minds and because all are equally protected by the law of the land. Which law of the land reflects the deeply held conviction of the vast majority of those living together that each of them is equally entitled to choose for themselves. For as long as their choices don’t hurt the others, of course.
Which ‘equally entitled to choose’ also means that each of them has an equal voice when it comes to determining their collective future.
For example, that each of the American Citizens are entitled to one vote when the President of the United States of America is elected for office.
Now I learn that some people are convinced that the American Citizens – those “we, the people” who are called to elect the Government, should not be allowed to choose whom to marry. And that allowing people full freedom when it comes to choosing their partners – irrespective of their biological sex, will somehow destroy their ability to choose their (political) future.

How much sense does this make?…
From consuming art to banning people from marrying their chosen soulmate!

“the world is not a ‘global community’ but an arena where nations, non-governmental actors and businesses engage and compete for advantage…Rather than deny this elemental nature of international affairs, we embrace it.”

Rings a bell?

Sounds too neoliberal for you?

I’m afraid we are dealing with a huge communication problem here.

For some ‘competition’ has become a dirty word while some others interpret it according to their, narrow, ideology. To fit through their horse blinkers.

To make my point I’m going to use Valentine Wiggin’s Hierarchy of Foreignness. For those of you who are unfamiliar with Orson Scott Card’s work, Valentine is one of the main characters in Ender’s Game.

– An utlänning was defined as a stranger recognized as human from the same planet as a subject, but of a different nation or city. Utlänning means “foreigner” in Swedish.
– A främling was defined as a stranger recognized as human, but from a different planet than a subject. Främling means “stranger” in Swedish.
Raman were defined as strangers recognized as “human”, but of another sentient species entirely. The term was only ever used to refer to the entire species as a whole rather than an individual member. Although not a common word, it may be constructed in Swedish from rå + män, where rå indicates “coarse,” “raw” or “crude” (not refined), and män means “man” or “person.”

Varelse were defined as true aliens; they were sentient beings, but so foreign that no meaningful communication would be possible with the subject. Varelse means “creature” in Swedish.
Djur were non-sentient beings. They were capable of independent thought and action, but their mode of communication could not relay any meaningful information to the subject because the djur itself lacked the capacity for rational thought and self-awareness. Djur means “animal” in Swedish.

It’s simple to understand that this hierarchy is based on the ‘subject’s’ ability to communicate with the ‘foreigner’. But not exclusively! The whole thing also depends on both parties willing to accept the other as a ‘partner’.

In fact the entire Ender’s Game series is about Humankind wagging an all out war with an alien civilization, only to discover that the conflict was produced by a colossal misunderstanding.  Neither of the belligerents had recognized the other as ‘raman’ and, as a consequence, both had treated the other as ‘varelse’. And, eventually, the humans prevailed. The book was written by one of us…
Read the whole series, you’ll have a surprise at the end!

Coming back to ‘competition’, let me remind you that it is nothing else but the most comprehensive form of cooperation.

Not only that the participants do something in common – they all obey the same set of rules and cooperate in throwing out the cheaters – but they also help each-other to become better at whatever they are competing about.

Savvy?

What would any competition turn into if too many participants would no longer obey the rules?

Act as djurs? Obsessed by their own wishes and behaving disdainfully towards all others?